Symbols in As I Lay Dying by William Faulkner - Free Essay Example

Sample details Pages: 3 Words: 948 Downloads: 2 Date added: 2019/08/15 Category Literature Essay Level High school Tags: As I Lay Dying Essay Did you like this example? Can something as simple as symbols and imagery create an outstanding novel? William Faulkners novel As I Lay Dying is a story of a family on their forty mile journey to bury Addie, a mother and wife. Their journey is a tragic and long. In William Faulkners novel As I Lay Dying, Faulkner uses symbols and imagery to fully define the characters and themes. Don’t waste time! Our writers will create an original "Symbols in As I Lay Dying by William Faulkner" essay for you Create order Throughout the novel, Cash, mentions his tools repeatedly and shows readers how important they are to him. He has returned to the trestles, stooped again in the lanterns feeble glare as he gathers up his tools and wipes them on a cloth carefully and puts them into the box with its leather sling to go over the shoulder. Then he takes up box, lantern and raincoat and returns to the house (Faulkner 80). Cashs tools serve as a symbol of his personality. Cash tends to want to fix things, or make things right. He uses his tools to make his mothers coffin in her honor because he believes in love and family. Using his tools to build something, or taking his time to do something for someone is a big commitment to Cash. He sees his tools as something very special to him. Cash is a man of action; when they cross the river, Cash is set on saving his tools; Even his family members try to save the tools because they know how important they are to Cash. In this novel, Vardaman catches a fish for dinner and it serves him a major symbol to understand the meaning of death. It was not here. I was there, looking. I saw. I thought it was her, but it was not. It was not my mother..It was not here because it was laying right yonder in the dirt. And now its all chopped up. I chopped it up. Its laying in the kitchen in the bleeding pan, waiting to be cooked and et (Faulkner 66). A wave of obsessive thoug hts arise to Vardamans mind when he catches the fish. He makes the connection between the fish and his mother. The fish, and his mother, are in a different state of existence now, other than him, and this makes Vardaman think his mother is the fish. The thought of the dead fish helps Vardaman grieve over his mothers death, as he is only able to understand mortality through the fishs death. The connection between the fish and Addie comes up again during the river part, when Vardaman compares the fish in the river to his mothers coffin. Jewel has a horse that is very important to him. He works every night to save up for this horse. Its not your horse thats dead, Jewel.Jewels mother is a horse (Faulkner 94, 196). Jewels relationship with his horse shows his decision to isolate himself from the rest of his family. Jewel is not a Bundren child through blood; however, he says his desire to leave the family is strong. In order to buy the horse, Jewel had to work every day, and lied to his family. Darl even says that Jewels mother is a horse. When Anse trades Jewels horse in for a new team of mules, Anse is stripping Jewel from the family and taking away his independence. Eyes are described a great deal of times throughout the novel. First, Darl describes Jewels eyes, Anse describes his son Darls eyes, Cora talks about Addies eyes: Her eyes are like two candles when you watch them gutter down into the sockets of iron candle-sticks. But the eternal and the everlasting salvation and grace is not upon her (Faulkner 8). Dewey Dell has an odd obsession with Darls eyes. the land runs out of Darls eyes; they swim to pinpoints. They begin at my feet and rise along my body to my face, and them my dress is gone: I sit naked on the seat above the unhurrying mules, above the travail (Faulkner 121). The symbols of eyes explains bigger plot ideas in the novel. Dewey Dell finds Darls eyes threatening because she finds him intimidating because he knows about her baby; He basically sees right through her. Addies coffin is a main symbol in this novel. It would just be me and her on a high hill and me rolling the rocks down the hill at their faces, picking them up and throwing them down the hill, faces and teeth and all by God until she was quiet and not that goddamn adze going One lick less. One lick less and we could be quiet (Faulkner 15). The coffin serves as a symbol of unbalanced and heavy weight on the whole family, figuratively and literally. As Addie rots in the coffin, the family gets more and more tired of carrying her body. The longer they travel the more they question why they are doing this for her. While they carry the coffin, they break apart as a family. When the coffin is heaved off balance by Addies body, the coffin becomes a reason for all of the familys troubles. Burying the coffin is also important to the familys capability to return to some sort of a normal state. These four major symbols are extremely important to tying the main idea together throughout the novel. William Faulkner adds these symbols to clue in readers that this family is superstitious. In William Faulkners novel As I Lay Dying, Faulkner expresses characters and themes through symbols and imagery. How William Faulkner uses symbols in this novel brings the story together and gives readers a deeper connection to the characters. Works Cited Faulkner, William. As I Lay Dying: The Corrected Text. First Vintage international edition. Vintage Books, 1990.

A Conspiracy in Politics - 655 Words

Politics is much more than agendas these days. It is a game involving intricate strategies and manoeuvres to outsmart the others. Big games are played in today’s political arena and these big games are limited to the big player only. No matter how loyally or how long a person serves, the game plan is limited only to the highest tier of the parties or maybe even less. The best and the trickiest of games are played with a lot of confidentiality to ensure its success. Politics, mind you, is not a child’s play. Politicians are extremely smart people. By using the word smart, I don’t put them into the category of Einstiens or Newtons. What I am trying to convey is that they are very observant and capable of noticing the smallest of opportunities. They plan with vision and over time it pays off. In the light of the present situation, I may sound a complete fool for what I have just said. Had politicians been so smart and so thoughtful in their strategies then why can’t the Indian National Congress see the very evident inefficiency of Mr. Rahul Gandhi? He has become a subject of numerous jokes on the social media and his incompetency has come to the fore over the years. It is very clear that Rahul has failed miserably to connect to the people. On the other hand, there is Modi, a magnetic personality with great oration skills. More importantly he has Gujarat to show for his achievements. Is the Congress so naive to neglect it and go about doing nothing at all? It must haveShow MoreRelatedThe Conspiracy Theories And Social Issues1226 Words   |  5 PagesThe phrase â€Å"conspiracy theory† is often expressed with a negative connotation and used as a label for the explanation of outlandish incidents that are hard for the everyday person to comprehend. 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A Portrait of the Artist as a Young Man Summary Free Essays

A Portrait of the Artist as a Young Man In A Portrait of the Artist as a Young Man by James Joyce, the main character, Stephen Dedalus has a life long desire to find a father figure. Not finding it within his own home he is forced to look out among the other men who play intricate roles in his life. Some of the men that Stephen looks to as father figures include; his dad, the dean of his school, the Jesuit priest of the retreat, his friend Cranly, and Daedelus of a Greek mythology. We will write a custom essay sample on A Portrait of the Artist as a Young Man Summary or any similar topic only for you Order Now Again and again Stephen is faced with the disappointment of a potential father figure letting him down. It is not until all others have failed him that he finds a father figure that fulfills his life. Throughout Stephen’s life he and his father grow apart. As a child Stephen adores his father. Stephen remembers the story his father use to tell him about the moocow (1). Stephen’s memory of this story shows he put complete focus into his father whenever his father was around. Stephen’s father seems gentle and benevolent when he puts the sauce on Stephen’s plate after everyone else denies the sauce (19). As Stephen gets older he loses his bond with his father. Stephen believes his father is in a lot of trouble. Before Stephen’s family moves to Dublin he hears his father tell his uncle that he has enemies and some sort of fight is going to happen (45). This news puts a lot of pressure of Stephen and it makes Stephen pull away from his father. Stephen feels that the information that he learned makes him a part of the fight (45). Stephen’s bonds breaks even more when his father makes fun of him. Stephen’s father talked to the dean from Stephen’s school and learned that Stephen made a huge deal out of getting pandied (50). When Stephen learns they laughed about it he become very ashamed and he starts to dislike his father (50). As Stephen matures his father means less and less to him. Stephen feels ashamed of his father’s drinking so he tries to avoid the reality of the situation (65). Stephen begins to become ashamed of all of the things his father does (67). Stephen feels his father has failed him in being a role model to him. Stephen’s dad fails Stephen in the role of a father figure. This leads Stephen to look for a father figure outside of his family. Throughout his life Stephen looks to some of the religious leaders as father figures. Those father figures include the rector of his school and the Jesuit priest from the retreat. The rector of Stephen’s school is looked to as a father figure. Stephen believes his is of good intelligence and is not judgmental. After Stephen is pandied for no reason, Stephen looks to the Rector (36). Stephen believes he has been wronged and is very mad that Father Arnell did not stand up for him (35). Stephen shows great courage when he goes up to the rector’s room to complain about Father Dolan’s pandying. All of his fellow classmates are cheering him on to talk to the rector (36). At the beginning of Stephen and the rector’s conversation the rector show great care for Stephen. The rector just listens to Stephen and the problem he is having (38). When the rector starts to deny Father Dolan’s mistake Stephen becomes a little frustrated (39). The rector sees this frustration and tells Stephen he will talk to Father Dolan the next day (39). Stephen’s view of the rector as a father figure starts to change after the confrontation. The Rector really fails Stephen when Stephen learns that the Rector and Father Dolan have been talking about him, especially when he hears they laughed about him (50). Another father figure of Stephen’s fails. Even though the rector fails Stephen he provided some philosophy to Stephen’s life. The Jesuit priest from the retreat also provides a father figure to Stephen for a short period of time. The Jesuit priest puts fear into Stephen. During the three day retreat Stephen is told all of the bad things that sins do in your life (77). The Jesuit priest makes Stephen long for direction and he hopes he can live a sinless life after the retreat (103). When Stephen tries to live a sin free life he doubts himself that he is not completely redeemed (109). Even though the Jesuit priest scares Stephen into religion he fails Stephen as a father figure. Stephen feels he cannot trust the Jesuit, so he goes to a private church to pray (104). The religious leaders fail Stephen in giving him the father figure he is searching for. Stephen also looks to Cranly, his friend, in college as a father figure. Cranly gives Stephen advice on life and helps Stephen in choices. Cranly provides Stephen with philosophy in his attempt to be a father figure to Stephen. Stephen really likes Cranly (128). Stephen talks about remembering Cranly by his face and not what the rest of him looks like (128). Stephen looks to Cranly for help about a problem he is having. Stephen’s mom wants him to go to the Easter service, but Stephen does not feel the religious faith he once felt (167). Cranly tells Stephen he should go because a mother’s love is more important than Stephen’s religious doubts (167). Stephen and Cranly’s acquaintance ends when Stephen says his is going to leave the country to explore his artistic ability (169). Cranly warns him this may be the wrong choice, but Stephen ignores him. Cranly fails Stephen as a father figure. Stephen does not agree with Cranly in the end and that makes Stephen’s idea of Cranly as a father figure disappears. The one person that successfully provides Stephen a father figure is Daedelus from Greek mythology. Daedelus provides Stephen with inspiration to be a better person and to express his artistic ability (124). Even though Daedelus was not a successful father figure to his son Icarus, Stephen still feels that Daedelus is the prefect father figure. Since Daedelus is just in Stephen’s mind, Stephen is his own father. When Stephen leaves Ireland he become his own role model in that he is Daedelus in his mind and he is not leaving anything important behind (156). Stephen puts a lot of faith into Daedelus. In Stephen’s journal entry on April 27 he calls Daedelus the great creator; which also refers to Stephen being a great creator because Daedelus is in Stephen’s mind (185). Daedelus is the only man that provides Stephen with a father figure. Daedelus is Stephen’s perfect father in his mind. Stephen’s search for a father figure is throughout A Portrait of the Artist as a Young Man. Even though Stephen takes a long time to find his perfect father figure, he does. Stephen searched his whole life for a father figure and then he realizes he is his own father and he is the only thing he needs. The father figures are a very important idea in A Portrait of the Artist as a Young Man. How to cite A Portrait of the Artist as a Young Man Summary, Papers

How Does Shakespeare Create Excitement Tension in Act One, Scene Five of Romeo and Juliet Essay Example For Students

How Does Shakespeare Create Excitement Tension in Act One, Scene Five of Romeo and Juliet? Essay In Act One, Scene Five, the masked ball scene, of Romeo and Juliet, a myriad of different moods and tensions are created through Shakespeares use of characters and their interactions. He brings up emotions such as warmth, anger and romance and from this, opinions of the characters are created in the audience. His utilisation of techniques like dramatic irony and rhyming couplets causes the atmosphere to change, through the scene, from jubilance and frivolousness to romance and mystery. This becomes anger and tension and then returns to tender romance; which is eventually destroyed by the harsh voice of reason. Act One, Scene Five opens with a brief speech from Capulet in which he welcomes the people of Verona to his masked ball. On stage, Capulets entry to the room, probably wearing bright, colourful clothes would create a dramatically effective visual contrast with his servants, dressed in drab kitchen clothes. This would help to characterise Capulet and show the audience the difference in social class. The jolliness of the party creates a strong contrast to the tension of the previous scene. I believe that it is Capulets gracious and familiar air as a host that creates an atmosphere of joviality and homeliness. This is shown on the first line of the scene when he says, Welcome, gentlemen! Ladies that have their toes unplagued with corns will walk about with you! He uses this as a light hearted way of teasing those women at the party who refuse to dance by suggesting that they have fungal feet. In my opinion, this is Capulets way of creating a party mood, with all the guests frivolously dancing and joking with each other. Also, it seems that it is Shakespeares way of showing Capulets status by having him make jokes freely at the guests expense whilst the guests themselves have to be careful with what they say to him. Shakespeare has worded Capulets lines in order to give the audience the impression that he is addressing a large number of people when in fact, due to the stages space restrictions at the time, only very few actors were able to be on stage at once. The idea of a masked ball is, in itself, a dramatic device. In terms of the plays plot, it provides a means for Romeo and the other Montagues to enter the party without revealing their identities to their rival Capulets. In the way of stage craft, it allows the actors of the guests to assume many roles where they may only have been able to take on one, giving an audience the impression of a crowded area despite the limitations imposed by the stages size. Romeos first line in Act One, Scene Five sets up an entirely new atmosphere, one of romance and mystery where the focus of the audience is shifted from Capulet and his fellow revellers to Romeos extravagant hyperbole as he fantasises wildly over Juliet. The fifth line from Romeos flowery, overblown speech about Juliet is an excellent example of Shakespeares of rhyming couplets and contrasts within his writing his writing. Beauty too rich for use, for Earth too dear, so shows a snowy dove trooping with crows as yonder lady oer her fellows shows. The image of a dove trooping (flying) with crows has different levels to it. The obvious one is the colours. The dove, a white bird, is Juliet, amongst a group of crows, black and white. Another way of interpreting this is by thinking of the ideals that these colours represent. Traditionally, the colour white represents purity and sanctity while the colour black conventionally symbolises impurity and ugliness. .uecf7db59debaaf94fcd0f6a3c37c8af7 , .uecf7db59debaaf94fcd0f6a3c37c8af7 .postImageUrl , .uecf7db59debaaf94fcd0f6a3c37c8af7 .centered-text-area { min-height: 80px; position: relative; } .uecf7db59debaaf94fcd0f6a3c37c8af7 , .uecf7db59debaaf94fcd0f6a3c37c8af7:hover , .uecf7db59debaaf94fcd0f6a3c37c8af7:visited , .uecf7db59debaaf94fcd0f6a3c37c8af7:active { border:0!important; } .uecf7db59debaaf94fcd0f6a3c37c8af7 .clearfix:after { content: ""; display: table; clear: both; } .uecf7db59debaaf94fcd0f6a3c37c8af7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uecf7db59debaaf94fcd0f6a3c37c8af7:active , .uecf7db59debaaf94fcd0f6a3c37c8af7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uecf7db59debaaf94fcd0f6a3c37c8af7 .centered-text-area { width: 100%; position: relative ; } .uecf7db59debaaf94fcd0f6a3c37c8af7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uecf7db59debaaf94fcd0f6a3c37c8af7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uecf7db59debaaf94fcd0f6a3c37c8af7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uecf7db59debaaf94fcd0f6a3c37c8af7:hover .ctaButton { background-color: #34495E!important; } .uecf7db59debaaf94fcd0f6a3c37c8af7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uecf7db59debaaf94fcd0f6a3c37c8af7 .uecf7db59debaaf94fcd0f6a3c37c8af7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uecf7db59debaaf94fcd0f6a3c37c8af7:after { content: ""; display: block; clear: both; } READ: Romeo and Juliet overall EssayA romantic audience would feel uplifted by Romeos lavish, slightly profligate monologue and taken aback by the quick change in atmosphere. More cynical viewers, however, would think that, since, before this moment, Romeo had been madly in love with an unseen woman named Rosalind, that he is not truly in love with Juliet and his change of heart seems somewhat impulsive. Perhaps he is in love with love itself, he desires the sensation of love but does not want to commit himself lest he loses the opportunity to experience the experience of love. The romantic mood does not last long. Tybalt, Capulets nephew, recognises Romeos voice and is infuriated by his audacity to come to a party held by his enemy. Tybalt is angered to such an extent that he swears to kill Romeo, Now by the stock and honour of my kin, to strike him (Romeo) dead I hold it not a sin, Once again, Shakespeare uses rhyming couplets, but, rather than create a romantic atmosphere, it brings out Tybalts anger and single mindedness. This line would immediately tell an audience about Tybalts nature and how full of hate and anger he is. Tybalts name alone gives the audience an impression of his character. Perhaps it is derived from the word, Tyrant suggesting that he wants to keep people under his control, or maybe CoBalt, a cold and unyielding metal. Capulet notices Tybalts anger and confronts him, first by telling him to simply allow Romeo to remain at the party peacefully and then by exercising his authority over him: He shall be endured. Am I the master here, or you? He is reminding Tybalt of his place and that he should not overstep himself. Tybalt eventually submits to Capulet and leaves, but not before giving the audience a grim foreshadowing of events to come when he says, I will withdraw, but this intrusion shall, now seeming sweet, convert to bittrest gall, This line shows Tybalts fury at being humiliated by Capulet because of Romeo and, of course, sets the scene for the events come. This means that the audience will have created their own ideas of how the play will end and will lead to them taking different opinions of the characters. At line ninety two, Romeo and Juliet finally meet. Shakespeares sonnet, once again using elaborate rhyming couplets, flows with lavish romantic allusion, If I profane with my unworthiest hand this holy shrine, the gentle sin is this: My lips, two blushing pilgrims, ready stand to smooth that rough touch with a tender kiss. This time, as well as the rhyming couplets, Shakespeare uses religious imagery to create an idea of purity and sanctity. This also leads the audience to believe that Romeo and Juliets love is meant to be, that God wills it. Good pilgrim, you do wrong your hand too much, which mannerly devotion shows in this; For saints have hands that pilgrims hands do touch, and palm to palm is holy palmers kiss. Juliets response shows that she is both interested in Romeo and equal to him intellectually. She shows this through her continuing of the religious theme and by teasing Romeo by hinting at kissing and other romantic subjects. The sonnet continues, the two lovers alternate lines and hint at their feelings for each other. Finally, they kiss. Of course, the audience know the identity of the two star crossed lovers, while Romeo and Juliet themselves do not, Shakespeare is using dramatic irony to engage the audiences attention. Once again, the romantic mood is not long lived. Juliets Nurse enters, bringing Juliet to her senses. She informs Juliet that Lady Capulet wants to speak with her. Upon Juliets exit, Romeo asks the Nurse the identity of his new lover. The Nurse replies, informing him that she is from the Capulet family. Later in the scene, the Nurse finds out that Romeo is a Montague and reveals this to Juliet. In this scene, the Nurse represents practicality and realism. The two lovers want to be together, and they want to believe it is possible for them to be together, but in reality they cannot, it is impossible and the nurse is a romanceless and constant reminder of this. If he be married, my grave is like to be my wedding bed. This quote, prior to Romeos identity being revealed, shows Juliet foreshadowing the tragic events to come and the calamitous turn their love is destined to take. Foreshadowing is the dramatic device that Shakespeare has chosen to end this scene with. .u51c8285801457b9cc62d60a4e2abbc78 , .u51c8285801457b9cc62d60a4e2abbc78 .postImageUrl , .u51c8285801457b9cc62d60a4e2abbc78 .centered-text-area { min-height: 80px; position: relative; } .u51c8285801457b9cc62d60a4e2abbc78 , .u51c8285801457b9cc62d60a4e2abbc78:hover , .u51c8285801457b9cc62d60a4e2abbc78:visited , .u51c8285801457b9cc62d60a4e2abbc78:active { border:0!important; } .u51c8285801457b9cc62d60a4e2abbc78 .clearfix:after { content: ""; display: table; clear: both; } .u51c8285801457b9cc62d60a4e2abbc78 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u51c8285801457b9cc62d60a4e2abbc78:active , .u51c8285801457b9cc62d60a4e2abbc78:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u51c8285801457b9cc62d60a4e2abbc78 .centered-text-area { width: 100%; position: relative ; } .u51c8285801457b9cc62d60a4e2abbc78 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u51c8285801457b9cc62d60a4e2abbc78 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u51c8285801457b9cc62d60a4e2abbc78 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u51c8285801457b9cc62d60a4e2abbc78:hover .ctaButton { background-color: #34495E!important; } .u51c8285801457b9cc62d60a4e2abbc78 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u51c8285801457b9cc62d60a4e2abbc78 .u51c8285801457b9cc62d60a4e2abbc78-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u51c8285801457b9cc62d60a4e2abbc78:after { content: ""; display: block; clear: both; } READ: Shakespeare - Sonnet 18 This Sonnet Is By Far One Of The Most Interest EssayThis scene is a prime example of Shakespeares ability to create many and varied moods throughout his writing. He achieves these changes in atmosphere through his use of characters, and the lines he gives them, creating actions that can be viewed in a variety of different ways. In this scene, the atmosphere changes five times. It opens with an air of joviality and jolliness, created by Capulets graciousness and familiarity, which changes briefly into romance and mytery, imposed by Romeos hyperbolic sonnet about Juliet. This progresses into a feeling of anger and tension brought on by Tybalts fury at Romeos audacity and Tybalts foreshadowing closing remark. The mood then returns to one of tenderness as Romeo and Juliet finally meet. This mood is derived from the joint sonnet that the two lovers share, full of religious imagery. The romantic ambience is soon dispelled by the arrival of the nurse, the practical reminder of the harsh reality that faces the smitten couple. The audience will have taken the prophetic remarks of Juliet, Tybalt and others into account and will already be fearing how the play is likely to end.

Summary of The Kite Runner Research Paper Example

Summary of The Kite Runner Paper The Kite Runner by Khaled Hosseini tells a story about two boys, Amir, a Pashtun boy and a son of a wealthy business man and Hussan, a young Hazara boy that was his servant but more importantly his best friend. In their homeland of Kabul Afghanistan they face many challenges that test their friendship and loyalty to one another. Although Amir tries to put his memories of his cowardly actions of his childhood in the back of his head he can never escape it. Amir finally has the opportunity for redemption when Rahim calls him to come back to Kabul and says â€Å"There is a way to be good again.†(2) Rahim, Amir’s family friend tells him and makes him realize that he has the opportunity to redeem himself from when he was younger. He has that thought in his mind of how he can redeem himself for being a coward when he was younger and fill a void of helplessness. He is hesitant at first because he didn’t know that Hassan was actually his brother and that the boy he needs to rescue was Hassan’s son. To make up for his childhood, he sets out to rescue his nephew Sarab from the harsh hardships of the Taliban ran city of Kabul. Amir and Hassan share a strong bond of friendship and loyalty towards one another that it shapes them to who they will become as adults. Their childhood starts off in Amir house where â€Å"the poplar trees lines the redbrick driveway, which led to a part of wrought-iron gates. They in turn opened onto and extension of the driveway into my father’s estate. The house sat on the left of the brick path, the backyard at the end of it.† (4) this is where the two kids would spend most of their childhood playing and hanging out. Amir and his father had one of the nicest houses in Kubal because of the man that he was. Although Amir was Pashtun and Hassan was a Hazara and everyone looked at the Hazara people at inferior Amir didn’t see it like that because they were kids. We will write a custom essay sample on Summary of The Kite Runner specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Summary of The Kite Runner specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Summary of The Kite Runner specifically for you FOR ONLY $16.38 $13.9/page Hire Writer

Finding Your Writer’s Voice Expert Advice for Developing Your Style - Freewrite Store

Finding Your Writer’s Voice Expert Advice for Developing Your Style - Freewrite Store Whether you write blogs and articles or your focus is on fiction, you need to find your voice. Every writer has a unique voice or style - but sometimes it can take a while for you to actually find your own voice. Especially when you’re first starting out as a writer, you may find that you’re trying to imitate another writer’s voice, and that means your unique voice is hidden. Here’s the thing: you don’t need your writing to sound like another writer’s. In fact, imitating other writers’ style will not help your writing to get noticed. Your readers want something different, not another clone of a popular writer or author. They want to hear your voice - your unique, authentic voice. What Is a Writer’s Voice, and is it the Same as Your Style? Before we dive into the meat of this article, I want to take a moment to define what exactly I mean when I talk about your voice as a writer and how that relates to your overall style of writing. Some people argue that voice and style are two completely different things, but there are so many overlaps it’s impossible to separate them. Your voice as a writer comprises: Your personality Your tone Your choice of words Your use of punctuation Your attitude Your personal preferences or personal style Your approach to sentence structure Your attitude towards strictly following grammatical ‘rules’ Your use of formal or informal language Your use of language when you speak You can see from this list how your true writer’s voice will be unique to you because it’s affected by your personality and your unique way of using language. When it comes to style, there may be some variations in your voice, depending on the audience that you’re writing for. Ultimately, whether you’re writing for an academic publication, a magazine or publishing a blog, your voice should still shine through in your adaptation of a particular style. Your voice will also mean you favor particular styles of writing, too, so there’s no way of completely separating the topics of voice and style. But why do so many writers struggle to use their own writer’s voice? There’s actually a superb explanation. Beating Imposter Syndrome Those self-doubts that you experience every time you sit down to write, and that feeling that your writing can’t compete with all the ‘great’ writers out there, is often referred to as ‘imposter syndrome’. Although you love to write, you’re never satisfied with the results, and you’re constantly waiting for your readers to discover that you’re ‘not really a writer’. Imposter syndrome is a huge barrier to using your own unique voice. While there’s no magic way of getting rid of imposter syndrome, when you focus on developing your own voice instead of copying someone else’s style, you will gradually see the value of using your unique style. Techniques for Unleashing Your Writer’s Voice So, how can you explore your own writer’s voice when you’re so used to imitating your favorite writers? I’ve spent a lot of time researching this topic (since I really struggled with imposter syndrome when I first got started) and have pulled together some of the best advice and exercises that will help you discover your unique writing style. 1. Set Your Voice Free When I first started writing fiction, blogs and articles, I found that I was focusing far too much on ‘doing it right’. I could spend days writing and rewriting an opening sentence or paragraph because I was worried about breaking the ‘rules’. I blame the education system for enslaving me to a long list of grammatical rules that must not ever be broken. I was also too focused on finding stylistic guidelines to religiously follow, even though I hated those self-imposed regulations. The ridiculous part was that I knew that a lot of writers regularly broke both grammatical and stylistic rules, but I couldn’t bring myself to do that in my writing. I was trapped and I didn’t know how to get free. Then I discovered freewriting when I took a creative writing course as part of my college degree. We were instructed to spend at least 15 minutes every day freewriting, and I found it so liberating. So, what exactly is freewriting? Freewriting sets your voice free because you’re deliberately breaking the rules that hold your voice back. It gives you the opportunity to explore your creativity, to express yourself without restriction and stop worrying about ‘what people will think’. Because you’re freewriting just for yourself, there’s some psychological stuff going on that breaks the chains that have prevented your unique voice from truly emerging. 2. Write Even When You Don’t Have to Write If writing is your career, it’s easy to get into the trap of only writing when you have a project to complete (i.e. you only write when you’re getting paid to write). That’s not good for your writer’s voice, because you’re losing that sense of writing for pleasure and your writing can become more formulaic. Malcolm Gladwell, who wrote Outliers: The Story of Success,reckons that it takes 10,000 hours to perfect your craft - and while that figure may be an exaggeration (and has been disputed), I think it’s important to bear it in mind. You will not find your unique voice if you don’t get lots of practice - and that means you need to write for pleasure as well as for profit. Setting yourself (achievable) writing practice goals - for example, to write (for pleasure) for at least 30 minutes every day - can give you the space you need to explore your writer’s voice. When you have a regular writing habit that’s not hampered by guidelines set by other people, it’s easier to get into the flow that will reveal your own unique voice. At the end of each week, set aside some time to read back what you’ve been writing and you should be able to see patterns in your language and how your personality shines through your writing. That’s your writer’s voice, and the more you practice using it, the more comfortable you’ll become with sharing it with the world. 3. Get Out of Your Comfort Zone If you’re the kind of writer that sticks to one kind of writing (for example, you only write blogs, or you only write poetry, or you only write fantasy fiction), then getting out of your writing comfort zone can really help you discover more about your writer’s voice. When you write in a genre or format you’re not used to or don’t read a lot of, you don’t have the same preconceptions about what your writing ‘should’ sound like. That means that when you start writing, your voice is more likely to emerge easier since you’re not trying to make your writing ‘conform’ in some way. Here are some examples of types of writing that may be out of your writing comfort zone and can help you explore the way your writer’s voice emerges when it’s totally free: Creative nonfiction Journalistic-style writing A completely different genre of fiction to what you’re used to reading or writing. Genres include: Historical fiction Romantic fiction Children’s fiction Young adult fiction Science fiction Fantasy Crime Thriller Literary fiction A piece of persuasive writing A political speech Poetry A short play/film script Biographical writing 4. Take A Journey of Self-Discovery A crucial part of exploring your writer’s voice is knowing yourself and understanding how you view and relate to the world around you. If you’re struggling with your writer’s voice, maybe you need to spend some time on a journey of self-discovery. It’s really easy to be swayed by other people’s opinions and views - to the point that you can easily internalize someone else’s way of thinking and being. Because those views and thinking patterns can actually be at odds with your natural (unique) ways of thinking and being, there can be internal conflicts that may affect your writer’s voice. To reconnect with your way of thinking and being, you need to do some deep work in getting to grips with your own opinions, way of seeing the world, and your passions. At the root of self-discovery is paying attention to what makes you happy, what inspires you, what brightens your day, what makes you angry, what causes you’re passionate about. All of these things will impact on your unique writing voice, and so the more you explore them, the more you’ll be able to unleash your writer’s voice. Getting comfortable with you empowers you to take more risks in your writing and your writing voice will thank you for the investment you put into self-discovery. Journaling is an excellent means of self-discovery, and it’s good practice to get into a habit of regular self-discovery journaling sessions. There are guided journals available to buy from places like Amazon if you feel you need help in getting started with journaling. Or you could use these questions as prompts for your self-discovery sessions: My greatest strength is†¦ I can’t stand it when other people†¦ If I had a theme song it would be†¦ When I think about the future, the thing I fear the most is†¦ When faced with a challenge, I†¦ If I encountered a road that had three forks and one path led to a mountain, one led to a forest and the third led to an ocean, I would choose†¦ (explain why) The things I am most passionate about are†¦ The charitable cause I’m most passionate about is†¦ Injustice in the world makes me†¦ If I had an unlimited budget I would... Discover Your Writer’s Voice and Set Yourself Free Discovering and developing your writer’s voice is an adventure that can have a massive impact on the power of your writing. When you’re embarking on the adventure, though, remember that your voice continues to develop as you write. As you mature, for example, you may notice subtle changes to your writer’s voice and even the types of writing you enjoy the most. The goal in discovering and developing your writer’s voice is to get out of the imitation trap and learn to love your own unique voice instead of feeling you need to copy another writer you admire. When you invest in developing your writer’s voice, you’ll gain confidence and your writing will become much more impactful. Every writer has, at some time or other, struggled with their writer’s voice, even bestselling authors like Stephen King. Persevere with your journey of discovery and you’ll get to the point that Stephen King has reached - where your readers can recognize your voice without seeing your name.

Analysis of the Strategic Decision of Apple Inc Essay

Analysis of the Strategic Decision of Apple Inc - Essay Example Hence, this study has strong relevance as well as significance in the field of business research. For this study, Apple Inc. has been chosen as the organization. The reason behind choosing Apple is the recent shift in the leadership of Steve Jobs to Tim Cook. Analyzing the strategic decision making of Apple will also help in clearly understanding the differences in strategic management approach. However to get further deep into the study, a brief synopsis of the chosen company are presented below. Apple: A Brief Synopsis Apple Inc., commonly known as Apple Computers is a US based Multinational Corporation, headquartered at Cupertino, California. The company was incorporated in the year 1976 and was founded by Steve Jobs, Steve Wozniak and Ronald Wayne. The role of Steve Jobs has been instrumental in transforming the company into one of the world’s largest MNCs. Apple is best known for its continuous innovation and trendy products. The company now operates in almost every part of the world and is regarded as the â€Å"home of innovation†. The company is involved in designing, developing and selling consumer electronic goods, personal computers and computer software. The company presently operates with 406 company owned retail stores. Some of the bestsellers of the company include hardware products such as iPhone, iPad, iPod and software packages such as iOS, iTunes and Safari Web browser among others. In the year 2007, the company was renamed by removing the word ‘computer’ from its name thereby making it apparent that the company will focus more on the consumer electronics segment. The major competitors of the company are Samsung Electronics, Nokia, Motorola and LG among others.... The information to be collected for a study is considered as one of the most important factors for satisfying the objectives of the study. Information related to the strategy of the company during the era of Steve Jobs and the current strategy of the company will be collected. This will help in contrasting the strategic management styles of the two leaders. In addition, raw data in the form of responses from the managers of Apple will be also collected so as to get a better understanding of the situation. Furthermore, information related to the strategic decision of Apple will be also gathered. Another aim of the study is to recommend Apple about how they can deal with the challenges of the future. In doing so, it is important to at first identify the potential threats of the company. The information required in this context is the previous performance of the company and the information about its internal environment. The data will be collected again from the managers of the organiza tion. However, the assistance of the secondary sources will be also taken. The important part of a study is the analysis of the data. This stage appears after the collection of data. As mentioned earlier, data will be collected from both primary and secondary sources. The analysis will be done qualitatively. Since the aim is to identify the differences in the strategic decision making process of Steve Jobs and Tim Cook, it is evident that the study does not include any kind of numerical data. Thus, conducting a qualitative research is justified.